SweetBitter an exhibition by Nat Walpole
When
Fri, 1 November 2024 - Sat, 23 November 2024
11am - 6pm
Where
Centre for Contemporary Arts - 350 Sauchiehall Street Glasgow G2 3JD United Kingdom
Further info
Cost: Free and unticketed
Type: Exhibition
Bird-headed women, crocodilian monsters, and chimeric demons entangle among esoteric glowing symbols of queer power.
SweetBitter is a solo exhibition of paintings by Glasgow based artist Nat Walpole, created between 2023 and 2024. Produced during a time of transformation, disruption, and ongoing renewal in the artist’s life.
These paintings examine trans womanhood through an autosymbolist process of image making. Blending reference to historical painting and mythology with the formal interplay of symbols to create dreamlike scenes. Exploring experiences of desire and stigmatisation whilst leading viewers through (often fraught) interior landscapes filled with ambiguous figures, symbols, and formal gestures.
Whilst not all self-portraiture, the artist’s life and experience is refracted through these paintings’ surface. Unease within the body is given form as the works draw on elements of psychic and somatic disquiet, holding space for discomfort. Motifs, grotesques, and fanciful entities emerge from states of tension or conflict, creating spaces where these somatic, social, and ideological frictions can be processed.
The portions of art history her work usually respond to are often devoid of people we’d call trans women (beyond the occasional court record of a sex worker or depiction of a gender-bending Saint or pagan deity), but speak to patriarchal ideology. She takes a materialist trans-feminist perspective to these histories. Reflecting on the ways femininity has been stigmatised and bodies instrumentalised for re/productive labour. In her practice, the artist attempts to pick apart the way these narratives codify modern conceptions of gender, whilst imagining a trans and queer life that could transcend them.
Join us for an opening on Friday 1 November, 6pm – 9pm.
Posted by: Nat Walpole