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Margaret Salmon: Hole
8 December 2018 until 24 February 2019
Dundee Contemporary Arts
Might it be possible for film to transcribe something as ephemeral as human warmth? Human affection? Human presence, trust and submission? What about love? Can film bear witness to love? Teach us about love? Express love? How can a lens invoke these very personal, subjective experiences? These are some of the questions posed by Margaret Salmon in her newly commissioned work for Gallery 1 at DCA.
Hole is about our bodies and the intimate human connections we seek with others. In an immersive installation that uses light, colour, heat and sound to envelop a viewer within the space, Salmon seeks to create an atmosphere of warmth, comfort and radiance to step into over the cold winter months. At the heart of this exhibition is a new 16mm work that uses a female erotic gaze to look for places where love might be found in contemporary life and to explore what might constitute supporting, loving relationships today.
Salmon is known for creating filmic portraits that weave together poetry and ethnography. Often focusing on individual subjects, her work captures the minutiae of the everyday human experience, infusing it with a sense of poignancy and subtle grandeur. Adapting techniques drawn from cinematic movements such as Cinema Vérité and the European avant-garde, Salmon’s orchestrations of sound and image introduce formal abstractions as well as environmental interventions into the tradition of realist film.