- SCAN member @SSWLumsden are taking part in #WorkshopsWeek 16-23 Nov! https://t.co/PaELaMKtos Scottish… https://t.co/XDAFNPOedI
- RT @IliyanaNedkova: @KatherinaRadeva @HorsecrossPerth The third of eight stops on our curatorial tour of @KatherinaRadeva's survey solo sho…
- .@Arteles Back to Basics residency program gives #artists the opportunity to clear their mind, get back to focus an… https://t.co/YMBI662mPq
Browse content by theme:
Martin Boyce: An Inn For Phantoms Of The Outside And In
25 May 2019 until 3 November 2019
Mount Stuart Trust is delighted to announce a solo exhibition by Martin Boyce, presenting a major outdoor commission in the landscaped grounds of Mount Stuart. Inspired by the memory of a tennis court long since dismantled, his ongoing interest in abandoned and disused spaces is awakened. The court is close to fiction, undocumented, a relic from the 1970’s. The artist reconsiders and recomposes the structure. Connecting with previous works such as the iconic 2002 Tramway installation Our Love is Like the Flowers, the Rain, the Sea and the Hours, Boyce continues his exploration of sites in between use and misuse, intention and subsequent being. His installation for Mount Stuart involves fragments of these landscapes, an abstracted sense of place rather than a literal description: “one place shipwrecked within another”.
The installation, like a skewed container for dreams, sits with its gate open. The artist’s familiar iconographies are staged within, referencing his interests in twentieth century film noir, literature and the built environment. Boyce’s work mirrors the psyche; his work immerses the public in both personal and collective cultural memory.
An Inn For The Phantoms Of The Outside And In is sited midway from the gardens entrance to Mount Stuart on the ’45 Avenue, and is reached by taking the sign-posted walk from the Visitor Centre. At Mount Stuart itself, the series of framed photographic works A Partial Eclipse II, 2017, are exhibited in the vaulted sandstone Crypt. These works are part of an ongoing library of images that feed into Boyce’s sculptural works. They reflect a certain pattern of landscapes and objects to which the artist is drawn and speak to his practice, which explores the space between the viewer and the subject “until the space itself becomes the subject”. The images resonate with a sense of stillness, of distance, and the uncertainty of time and place.