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Masses and Classes and Apparatus of Capture

17:00 on 14 March 2019
Civic Room

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‘Masses and Classes and Apparatus of Capture’ is a new sculptural work by Lauren Printy Currie which brings together the artist’s research into the textile industry’s role in the chronicling of historical events interweaved with personal narratives and moments of experience; a texture of different stories and elements.” – Lauren Printy-Currie

Preview 14th of March 5-8pm
Exhibition 15th March – 21st April (Saturdays, Sundays and Wednesdays 1pm to 6pm daily)
Artist Breakfast 26th March (10am Civic Room)
In Conversation Event 10th April (6:30pm Civic Room)
Reading Group 17th April (6:30pm CCA)

‘Masses and Classes and Apparatus of Capture’ is the first exhibition featured in Of Lovely Tyrants and Invisible Women, a one year programme curated by Civic Room, Glasgow from February 2019 until February 2020. Of Lovely Tyrants and Invisible Women investigates themes of spatial politics, gender and racial hierarchies within imperial architecture. Funded by Creative Scotland with additional project funding provided by The National Lottery Heritage Fund.

Lauren Printy Currie, Rhubaba, Courtesy of the Artist 2018. Photographer Thomas Flanagan

Lauren Printy Currie, Rhubaba, Courtesy of the Artist 2018. Photographer Thomas Flanagan