- Great news for Inverleith House at @TheBotanics in Edinburgh as they receive funding from @OutsetArt for a major ne… https://t.co/RNPxC8YAoa
- We were one of many who made a submission to the @ScotParl's Culture Committee on the impacts of Covid-19 to the ar… https://t.co/qcIcG9kC3V
- .@crypticglasgow are looking for your input & opinion to inform how best they shape their programmes of work in bot… https://t.co/4FWfTF8ElL
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How does the trace memory of one thing flow into another and form the path that we follow? In an age of visual and material overload, how do we invent ourselves, and our histories? I am interested in how we use material culture (our STUFF) to try to find fixity and permanence in our lives. My visual art practice which attempts to map these non-linear narratives, occupies a boundary between painting, sculpture and installation.
Originally from the Midwest of the United States I have lived in Scotland since the 90’s and am now a UK citizen. As a transplant I have found delight but also intense confusion in adapting to my new country. Viewing the past, which literally for me is another country, I, like many migrants, have a tendency to nostalgic – even sentimental – interpretations. Something my creative practice is a means to question and interrogate.
The past, our history, who we are, these are stories we tell ourselves.